Tag Archives: rush

Was It 2012 or 2112?

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File this under Signs of the (Mayan?) Apocalypse: Rush Featured on NPR. Wow.

I recently saw Rush play a show in Atlanta. The crowd ranged in age from five to the mid-fifties, embracing both lank-haired teenage skateboarders and heart surgeons. And when the band launched into its ode to suburban anomie, “Subdivisions,” everyone got it. If you were a smart kid, you lived that song in your youth, and a little thing like academic tenure won’t make you forget it. And if you weren’t, you lived it too.

Update: D’Oh! My clever title was wrong. Fixed. Happy 21/12, by the way!

Neil Peart Interview

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Interesting (but brief) interview with Neil Peart about Clockwork Angels and other topics.

…I’m less comfortable in a gregarious social situation, and you can be introverted and still share everything. It just means that you’re guarded. Certainly there is a line that seems perfectly clear to me about what’s to be shared and what isn’t, but it’s not always so clear to others. Extroverts never understand introverts…

I got the singles (“Caravan” and “BU2B”) back in April of 2011 when they came out, and the album back in June. It’s okay, but I prefer their stuff from Hemispheres to maybe Hold Your Fire (or even Presto and Roll the Bones) compared with stuff from Counterparts and later in the 1990s. It came with a PDF booklet, which I guess I ought to have read. If it had been on a CD, or a 12″ album, I’m sure I would have read the liner notes. As it was, I didn’t even realize it was a concept album. In a few weeks the novelization comes out: Clockwork Angels: The Novel

There was also this bit:

A realization I had lately: it is impossible to follow the teachings of Jesus Christ and be a Republican. It’s philosophically absolutely opposed—if they could only think about what they were saying for a minute.

I know a lot of my seminary friends would agree with him about that. As for me, well, that’s a wall I’ll just keep beating my head against. (Bonus questions: is the point even to “follow” his “teachings?” Is Jesus just a teacher? Can Christians be involved in politics at all? That was a live question for the first century of the Reformation, and still today informs much of the tradition: Amish, say, or Quakers.)

Top Music in 2011

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Looking at iTunes, I see my top song this year was “40 Day Dream” by Edward Sharpe and the Magnetic Zeroes. I listened to it 137 times. A few of those must have been in 2010, since I bought it that October, but there’s no question it was one of my favorites this year. (Sadly, there’s no way with an iTunes Smart List to learn what a song’s play count was during a certain period of time.)

(Note that “40 Day Dream” is on the same (eponymous) album as “Home”, a song covered by Jorge & Alexa Narvaez in their charming YouTube viral video.)

Following “40 Day Dream” in my most-played list were “Bye Bye Bye” by Plants and Animals, “Buildings and Mountains” by the Republic Tigers, and “Can You Tell” by Ra Ra Riot, with 116, 111, and 106 plays, respectively.

As it happens, all those are digital downloads from Amazon. I have a handful of songs from the iTunes store, but only a few, since a web browser offers a much better shopping experience than iTunes does. Web browsers have offered tabs since, when, 1997 or so? But iTunes is pure-linear, and shopping on it interferes with other things you might be trying to do with iTunes.

If we subtract out all the digital downloads, leaving just songs that I’ve ripped from actual physical brick-and-mortar CDs, my top songs from 2011 were: “If You Leave” by Orchestral Manoeuvres in the Dark, “He’s a Pirate” by Klaus Badelt and Hans Zimmer, “Mr. Roboto” by Styx, and “Africa” by Toto. (Don’t wince at my taste: serious musicians love that song! See track 11 here.)

The pirate song is from my collection of Film Music of course. The others are, like those I mentioned previously, from a playlist of music that has appeared on the TV show Chuck. If we subtract out “Chuck” music and “Film Music” then my top songs in 2011 were: “YYZ” by Rush, “A Raft of Penguins” by Ian Anderson, “La Villa Strangiato” by Rush, and “There is a Green Hill” by the World Wide Message Tribe. Also in the Top 10 list are the Genevan Psalter’s Psalm 124 by Calvin College, “Peace of Mind” by Boston, and “Just Showed Up (for My Own Life)” by Sara Groves.

So Now It’s Okay…

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…to like Rush? That’s what it says in the Toronto Globe and Mail:

Both the book and the film attempt to come to grips with a band that has had the most unusual career trajectory, defying age and the loathing of critics to fly high for decades, with no end in sight.

I’ve been listening to Rush since they assumed control with 2112, and honestly, I don’t much care for anything they’ve done in about 20 years. I just checked iTunes, and the highest rating I’ve given anything they released since Counterparts is 3 stars. I gave that to “Faithless” on Snakes and Ladders, and “Vapor Trails” and “Earthshine” on Vapor Trails also have 3 stars.

Still, even if their work hasn’t done much for me lately, I’m glad they’ve kept trying. I’d hate to see Rush become a nostalgia act going from casino to casino playing nothing but the old standards.

Ah, but what standards! From Permanent Waves to Moving Pictures to Signals, Grace Under Pressure, Power Windows, Presto, and Roll the Bones: what great records! (Great live performances, too: my Amazon wish list has some of their concert DVDs. Hint, hint.) As an old headbanger, I’m glad that these kids today are learning the awesomeness that is Rush. (Check out this performance of “YYZ” for an example.)