Useful Tools

Since I’ve been setting up a new computer, I’ve had the opportunity to think about the apps I use. I don’t have time or energy to put together a comprehensive list, but here are a few of my “can’t-live-with-them” apps.

Mac Mini at Work

Chrome (and the iReader extension), Safari, and Opera. Chrome is my main browser, but sometimes I need to work in two Google accounts at the same time. Then I fire up Safari. On very rare occasions I need a third online personality; when I do, I break out Opera. I also have Firefox, of course, but I hardly ever use it.

Xee and Skim. Macs come with Preview.app, which is fine, so far as it goes. It will let you open pretty much any type of image file. But it won’t let you go through a folder full of them in a hurry. That’s where Xee comes in. A side benefit of Xee is that it won’t screw up the EXIF data in your image files. Preview.app is fine for reading (and minor editing of) PDF files, too. But the user interface gets more bizarre with each release of Mac OS X. With Lion, I officially declare it a mess, and use Skim unless there’s a compelling reason to use Preview.app.

MacVim. Some people prefer Emacs or TextMate or BareBones BBEdit or TextEdit or whatever, but they’re wrong. Vi is right. MacVim is the best Mac implementation of VIM. Having said that, TextWrangler is a pretty awesome free-as-in-beer editor from BareBones software. It almost makes me want to try out BareBones’ BBEdit. I find TextWrangler especially helpful in converting text from one format to another.

NodeBox (and its derivatives, Nodebox 2 and Nodebox for OpenGL) are “generative design” applications. I’m not sure what that means, but whatever it is, it includes being able to write small programs to draw pictures. (Think of this as the modern equivalent of the venerable pic(1) and grap(1) programming languages. See also Graphviz.)

Handbrake and VLC. Handbrake is how I make backups of my DVDs. VLC is like the DVD Player application that comes with a Mac, except VLC works and it doesn’t crash all the time. How it does captioning isn’t the prettiest, I admit. On the other hand, it not only permits you to take screen captures, it provides a feature of its own to do it. I wish VLC remembered where you quit watching a DVD, but you can’t have everything.

MacPorts. Can’t live with them. Can’t imagine life without them. Therein lies the relevant conundrum. The HomeBrew project might ultimately supplant MacPorts, but I’m nervous about its install location. I’ve tried Fink, but not lately.

Tab Sweep

Here, with minimal comments, are some things I ran across on the internet that I thought were amusing or interesting.

Depressed Darth: Stay on Target.

Alternate History: What if “Star Wars Episode 1” was good?

Top voice talents: 5 Guys in a Limo.

The Lives of Others. (I’ve seen this. A great movie. It’s my favorite German-language film, except possibly Downfall.)

Joss Whedon: why does he kill the characters we love? And what does that forebode about Tony Stark in The Avengers?

Tripp and Tyler’s Rad Sk8 (featuring Tony Hawk).

Life on earth prospers during certain seasons in the galactic year. When the solar system passes through regions with a lot of star formation going on, things get better here:

[The fossil records] tended to be richest in their variety when continents were drifting apart and sea levels were high and less varied when the land masses gathered 250 million years ago into the supercontinent called Pangaea and the sea-level was lower. But this geophysical effect was not the whole story. When it is removed from the record of biodiversity, what remains corresponds closely to the changing rate of nearby stellar explosions, with the variety of life being greatest when supernovae are plentiful.—via /.

Kindle and the DOJ

Since I’m talking about the Kindle, I should give my opinion about the Department of Justice lawsuit against the big publishers. (Like you asked.) (So what? Who’s blog is this?)

Here’s the deal. The DOJ alleges that the big publishers colluded with Apple to develop an “Agency” pricing model that allowed them to raise prices on eBook titles beyond the $9.99 that Amazon was trying to establish as the normative price for new titles in its Kindle market.

The lawsuit will establish whether or not such collusion took place. But it doesn’t matter, according to people like the New York TimesDavid Carr:

Let’s stipulate that there may have been some manner of price-fixing here…. But … [f]rom the very beginning and with increasingly regularity, Amazon has used its market power to bully and dictate.

The Atlantic‘s Jordan Weissman agrees that guilt or innocence is missing the point:

The publishers come off as a smidgen less than sympathetic in this tale. The government’s filings are filled, for instance, with descriptions of hush hush dinners…. But…Amazon isn’t simply a garden variety retailer, or a helpless, well-meaning innovator. It’s the dominant force in books, and especially digital publishing.

It might be true they broke the law, in other words, but! since it’s Amazon, then it’s okay. (Remember the image of Lady Justice on courthouses with a special blindfold that lets her see whether the victim is Amazon?)

Nonsense. The reason Amazon has a near monopoly in the market is that its Kindle reads documents packaged in a proprietary format. Once I buy a couple of books published in Amazon’s Kindle format, I’m less and less inclined to buy books in Barnes and Noble’s competing format.

In the real world, we don’t have this problem because all books come in the same, nonproprietary format: words printed on paper. I can buy a book the Friends of the Library’s book sale and take go read it in the nice chairs at Barnes and Noble, or I can buy a book at Title Wave here in Anchorage and sell it on the Amazon used-book market when I’m done.

We could have that kind of flexibility in eBooks too, except that the publishers don’t want us too. So they put their books in formats that provide DRM (digital rights management) or copy protection. They don’t want you to be able to make copies of your books. That’s why the Kindle app on your computer can search (yay!) but can’t cut and paste even the smallest excerpt of a book.

The publishers are terrified that, if they sell you an eBook in an open format, you’ll make copies of it for all your friends.

Now, from the world of digital music, we have abundant evidence that there isn’t much market for pirated works when the variety and price of legitimate works is low enough. When CDs used to cost $17, people ripped them and passed USB drives full of MP3s around the dorm. But when you can buy the one song on the CD that you actually want, and it plays on all kinds of players, and it only costs a buck, most people are okay with just buying it.

For that matter, there’s evidence from the world of paper-and-ink books that people don’t make bootleg copies unless either the price (think: college textbooks) or the variety (think: out of print books) is a problem.

So the publishers could solve the problem immediately by offering their books through Barnes and Noble and Apple in an open format unencumbered with DRM. People would switch readers, and Amazon would have to provide support for the open format. That’s what Charlie Stross says, and he’s right.

But the publishing-industry dinosaurs are too stupid and greedy to act in their own best interest. That’s what John Gruber—who has been following on this, and whose links were my entry point into this controversy—says, and Gruber’s right, too.

But…there is no “but.” This is a problem the publishers made and they can unmake it whenever they want. In the meantime, they need to play by the rules.

God knows it would be easy enough for the publishers to get the rules changed: Congre$$ is alway$ ready to hop into bed with their old-media sugar-daddies and impose ever more restrictive imaginary property regimes, First Amendment be damned. Publishers could buy legislation that makes a mess of eBooks as readily as broadcasters did screwed up video.

We’re asked to look the other way while publishers collude to keep prices artificially high and the user experience and versatility low. We have to do that, you see, or Amazon might do to publishing what Steve Jobs did to the music business: drag it, kicking and squealing, into the 21st century.

Kindle Touch

The update I applied seems to make the Kindle a bit more responsive. Some of the books—but not all—seem to have better typography (e.g., they have curly “smart” quotes rather than straight "dumb" ones). So I’d say the update was worth the effort to download and install, but nothing spectacular. Ultimately, when you have an iPhone (or an iPad) then the user experience of a Kindle is going to be pretty “meh” no matter what.

Updating the Kindle Touch

I got a Kindle Touch for my birthday last year, although it didn’t arrive until around Thanksgiving. It has been something of a disappointment. My one child got a Barnes & Noble Nook about the same time, and it is by far the better product. (I’m not alone in that assessment.) (While I’m sure about the Nook, I’m not sure about Barnes & Noble. I chose the Amazon product to access the Amazon market. If ebook readers used a common industry-wide format, the Nook would be a no-brainer.)

Anyway, the Kindle Touch is a few grams too heavy to be comfortable, and the user interface is … well, there’s no way to sugarcoat this: it stinks. You never know where to press because sometimes you press in the invisible right-hand zone to move forward. Sometimes you “flick” things up from the bottom. To go forward you tap the right side. To go backward you flick the left. And so on.

But I see there is a new firmware update for the Touch. I don’t know if it’s any good, but it can hardly be any worse. I’m installing it as I type this. I’ll let you know how it works out.

New Car

The last part of moving happened today, when I bought a new old clunker to take the place of the old old clunker we unloaded back in Yucca Valley. Here it is:

New Car - Exterior

And here’s what it looks like on the inside:

New Car - Interior

(If you click through to the pictures, you not only get the option of looking at higher-res images, but you get to read all the notes with which I annotated them.)

“Beater with a Heater”

It costs a lot to ship a car to Alaska, so we sold the older of our two cars when we moved here.

And now we’re trying to find a replacement. My price range is “beater with heater,” so if you know something in that ballpark, let me know.

I’m mainly using Craigslist, of course, doing a lot of searching for “AWD” and “Subaru” there. Most of the attractive cars vanish in a few hours, but I keep seeing one that’s pretty tempting, in a danger-will-robinson sort of way: a 1991 Subaru XT-6.

I asked a friend and he sent me a whole raft of cautionary emails like this one. But it wasn’t all warnings. There was an article in Car and Driver, which calls the XT-6 a winter beater:

“The XT6 is undoubtedly the best Subaru ever built,” we gushed in a July 1988 test. Well, it certainly was the most complicated, offering height-adjustable air springs, electrohydraulic “Cybrid” power steering, and a choice of two all-wheel-drive systems.

We went over and looked at this one, and it’s still tempting. The owner bought it a couple of years ago and has poured a lot of effort into rehabilitating it. But it’s a 20-year old small-production small car. Do I want a car, or a hobby? Hmmm.

Tab Sweep Saturday

Just a few tabs this week:

I really liked this: 1000 frame/sec video of an eagle owl’s final approach toward the camera.

Also this, which combines Legos, Star Wars, and computer graphics for a nerdy trifecta:

And, finally, a Firefly panel:

(There are several additional bits from that same panel.)